Name the studio and 1991 film that had digital techniques applied to the sets

#Name the studio and 1991 film that had digital techniques applied to the sets movie

It became clear that once stars were earning multi-million dollar salaries, a director and a studio could easily lose control of the film, especially when the demanding star was also one of the film's producers.

And Julia Roberts (with a $10 million salary) ordered the studio to haveДЄ jet ready in London to fly from Pinewood Studios back to the US for the weekend during the making of Mary Reilly (1996), at a cost of more than $41,000 per month-for approximately

#Name the studio and 1991 film that had digital techniques applied to the sets movie

Scarlet Letter (1995) was no different, while the movie bombed and earned only a small fraction of its budget. Her support staff for the freely-adapted $50 million film The Reportedly, she ordered studio chiefs to charter two planes for her and her entourage while promoting both of her flop movies Striptease (1996) and G.I. To promote her film Ghost (1990), Demi Moore (who earned the nickname Gimme Moore) traveled with a bodyguard, masseuse, hair stylist, cosmetician, fashion consultant, and an assistant (who had an assistant). For example, at one time, Jack Nicholson wouldn't agree to filming during LA Lakers' basketball home games, and Harrison Ford, Kevin Costner and Tom Cruise would have the studios pay for their private jets. They often demanded script approval prior to filming, directorial and other casting choices, approval of the use of images for publicity, restrictions on film scheduling, studio-paid personal and entourage jet travel, various 'extras' (such as a personal gym and trainer/nutritionist, limo service), their choice of the positioning of credits (for example, above the title and in relation to other stars), the inclusion of nudity and other 'body-related' clauses, and final-cut approval. Interesting characters, credible plots, and intelligent story-tellingДЄnd the excessive demands of mega-stars sometimes reached epidemic proportions for many of the highest-paid stars (including Arnold Schwarzenegger, Tom Cruise, Sylvester Stallone, Mel Gibson, Eddie Murphy, Kevin Costner, Harrison Ford, Robin Williams, Jim Carrey, Demi Moore, Julia Roberts, and others). Products) in the Hollywood film industry. Marketing contributed to the inflated, excessive spending (for inferior (to develop risk-averse, formulaic, stale, and over-produced films), scriptsД¬reated by committee, threats of actor and writer strikes, and big-budget Star salaries and agency fees, spiraling production costs, promotionalД¬ampaigns, expensive price tags for new high-tech and digital special-effectsДЄnd CGI (computer generated images), costly market research and testing Pressures on conventional studio executives to make ends meet and deliverД«ig hit movies increased during the decade. The independently-distributed film movement was also proving that it couldД¬ompete (both commercially and critically) with Hollywood's costly output. The belief was sustained that expensive, high-budgetДЇilms with expensive special effects (including shoot 'em-ups, stereotypicalД¬hase scenes, and graphic orchestrated violence) meant quality. Incessant reports of weekly box-office returns, and puffed-up reviewsДЄnd critics' ratings. There still existed an imbalanced emphasis on the opening weekend, with As indoor multiplexes multiplied from almostДў3,000 in 1990 to 35,600 in the year 2000, the number of drive-ins continued The average ticket price forДЄ film varied from about $4.25 at the start of the decade to around $5Д«y the close of the decade. Up again by 1993 and continued to increase. In the early 1990s, box-office revenues had dipped considerably,Дue in part to the American economic recession of 1991, but then picked Million to produce, and some of the most expensive blockbusters were even Although the averageДЇilm budget was almost $53 million by 1998, many films cost over $100 Multi-screen cineplex complexes throughout the country.

In the 1990s for the most part, cinema attendance was up - mostly at The Decade of Money, Mega-Spending and Special Effects: Part 1, Part 2, Part 3, Part 4, Part 5, Part 6 The Era of Mainstream Films and 'Indie' Cinema, the Rise of Computer-Generated Imagery, the Decade of Re-makes, Re-releases, and More Sequels